Archive for January, 2012

Creativity – What is it?

Creativity -what is it? I recently attended seminars at the 72nd Annual Texas Society of Architects convention. There were plenty of technical and business seminars, but for me, the most inspiring seminars feature great architecture.

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bed design sketch by Bernbaum Magadini Architects

Architects always amaze me. They are generally broad thinkers that have to solve highly technical problems with visually beautiful solutions. Granted some solutions fall way short of the “beautiful” mark and sometimes the technical side may slip (Frank Lloyd Wright was said to have designed some pretty leaky houses). I enjoy listening as architects describe the thought process that they went through to arrive at the end product. Some descriptions are poetic, metaphorical, pragmatic or just whimsical – even funny. So what is this gene that allows architects to solve problems in such a distinctive way? Sometimes the solutions that look the simplest are actually the most difficult. Paring design elements down to their essence takes a skilled eye and facile mind.

I believe that bringing creativity to a solution or job makes everyone in any profession more successful. I remember going to a renaissance fair in Arizona and watching the guy in the parking lot direct traffic. It was hot, well over 100 degrees, but he would wave his flag dramatically and dance as he guided you into your parking space. Talk about making lemonade out of lemons! The creative approach (not to mention positive attitude) that he brought to a mundane job made it bearable for him and most certainly entertaining for us.

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Day of the Dead mask by Scott Taylor

Architects are always finding ways to take advantage of the creative energy that seems to pour out of them. An architect in our office, Scott, recently brought in the Halloween costume he had made. He and his wife were a “Day of the Dead” bride and groom and Scott had created paper mache’ large heads and painted them with glow in the dark paint. I’m pretty sure that the long and grueling architectural training that we all endured forces us to think that we have to come up with highly creative, sometimes difficult to build, solutions to almost any challenge that they choose to tackle. When my daughter was young, my birthday cakes and Christmas cookies were insane! Never mind that I was a single mother working full time and doing a little moon lighting to keep her in new sneakers … my cookies had to make a statement and inspire awe among the PTA group. Buy a tray of cookies at Sams and go to bed at a decent hour?? No way – not for me. I suppose staying up all night in the architecture lab trains you well for such situations.

I admire architects, but what I really admire is creativity in any form. My father was a structural engineer and my mother was an artist, but my father’s creative approach to engineering was certainly equal to my mother’s creative approach to her painting. As a result, he was always very popular with architects because no matter how hair brained an idea was that an architect presented, he would put his creative mind to work on solving the structural issues. It is all about thinking outside the box-trying something different-something new. Sometimes just looking at the problem upside down and backwards to see what you come up with-whatever that problem is, is the best place to start.

Tricy Magadini

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Mosaic Tile progress

mosaic tile fireplace surround

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The house has been dried in for a while and the interior finishes are starting to show up in force. One of the topics I discussed a while back were these custom mosaic wall panels that are getting installed in key locations throughout the project. The first one I covered was going up on the roof top terrace and I talked about it here. The other two locations are the Great Room fireplace surround and the wall behind the tub in the Master Bathroom. The first one here is obviously the fireplace surround – maybe it’s not obvious that it’s a fireplace but at the very least, you know it’s not a tub.

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fireplace elevation with mosaic tile

The fireplace we are using is a 6′ direct vent Spark modern fireplace. They are very clean and suit the style of this home very well. To help you understand the scale of the Great Room, as well as the size of this mosaic surround, I included a partial interior elevation above. That is one of my infamous scale figures to the side – he’s 6′ tall. The overall dimensions of the surround is 12′-4″ long by 5′-6″ tall. This is a dynamic piece and once all the other finishes and cabinetry come together, I think everyone will be very excited by what they see.

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Den mosaic detail

The artist who created these pieces for us is Ravenna born Italian mosaic artist Anna Fietta - and if you didn’t know, Ravenna, Italy is sometimes called the ‘mosaic city’ and  is renown for the beautiful 5th and 6th century mosaics that adorn the walls of its churches and monuments. Anna had to build all these mosaics on panels and ship them over to the contractor – so in the picture above, you can see an example of where the panels come together. Eventually these panels will be mortared into place, right now they are screwed to the wall to protect them from “walking” off the job site. Early next year (in 2012) Anna will fly over with a bag of smalti glass tiles to fill in the seams between the panels. The whole piece will flow together so that you won’t see any evidence that this large scale mosaic surround was anything other than one large installation.

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Den mosaic detail

Since Anna is Italian – and has okay English language skills, and I only speak English (with a little international language of love thrown in), I relied on frequent quick sketches emailed back and forth to help her understand the specific size and shape that her panels needed to be. I also took advantage of Google translate more times than I can remember. I would write what I needed to say, plug it into the translate feature in Google and violá! A workable translation into Italian.

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fireplace mosaic cove sketch

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Moving onto the Master Bathroom, this is the feature wall that will go behind the Victoria + Albert bath tub that is specified for this location. In this location, we did have a communication breakdown and the panels ended up being about 17″ too short for the space we needed. There is a light cove at the top of this wall and my original details (which were in English) said to “extend the finish into the light cove”. As a result, we have some more work for Anna to do for us. I spoke with the contractor and we were trying to decide if it would be easier to add the missing panel to the top or the bottom of the wall – we even did a quick profile cut-out of the tub so that we could see how the pattern would work (we were afraid that the silver wave would be too hidden once the tub was installed.

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Master Bath mosaic

I spoke with Anna and she said that the silver wave you see here is supposed to look like it is splashing down into the tub so unlike the photos you see here, these panels will move down to the floor. I redrew my original elevation of this wall to clearly convey to Anna the size of the missing area we needed to cover. This time, I ran some of my construction notes through Google translate and added them to my drawing (seen below).

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Master Bath mosaic

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Master Bath mosaic detail

Here is another look at where 4 separate panels are coming together. All these areas will get filled in once Anna arrives.

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Master Bath mosaic closeup

A look at the different smalti pieces – the ‘wave’ element in real life is far more vibrant and awesome than these photos show. I don’t like using the flash on my camera and since this room is on the interior of the house, there isn’t a lot of natural light making it’s way in and the contractor’s string of bulbs just isn’t set up for taking high quality photos – sorry.

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Master Bath mosaic soffit detail

Here is a look up into the light cove above the Master Bathroom tub. To get the quality of light we want, as well as washing the wall for almost 10′, we are using a series of par lamps (think of it as a series of individual light fixtures) and as a result, the light cove is pretty tall (16″) and deep (12″). This is another area that I know will look fantastic. I would even bet that once the marketing people for Victoria + Albert see their tub sitting in front of this wall, they are going to fall out of their chairs.

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So that’s the update on the mosaic walls – I hope to feature some more of the finishes as they arrive on site. The house is coming together really quickly and I don’t want to bore anybody by focusing on this project too often – but you can let me know when I’m getting close.

Cheers

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Exterior Ceiling Treatment

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Exterior Ceiling with wood slats

In the picture above, you are looking up at the ceiling of  an exterior patio. More specifically, you are looking at 1×1 ipê wood strips attached to medium density overlay board that has been painted black with an ipê wood trim-ring around a recessed light fixture. This is a much more decorative way to finish out a ceiling over a space you plan on using rather than simply applying a coat of paint.

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Exterior Ceiling CAD Detail

I know that not everyone reads drawings but for those of you who do, this is a detail through the section of the roof that covers one of the patios on the large modern project we have been working on for the last 2 years (it’s a big house…). Most of the notes above can be ignored for our purposes today but the ones worth paying attention to is the 1×1 WD @ 2″ O.C. (on center) with finish nails right above the one that calls out for 1/2″ MDO (which stands for Medium Density Overlay) board painted black. These two things coming together are what will make this ceiling something special.

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Medium Density Overlay

I thought I would include a little photo montage showing what MDO looks like. It’s basically plywood but it has a smooth weather-resistant resin overlay bonded to the wood by heat and pressure that is suitable for taking a finish (in our case, the finish is paint and then 1×1 ipê wood strips). The resin surface helps the wood resists water, weather, wear and degradation over time … we don’t always use it on our exterior patio ceilings but since we were planning on nailing wood strips to it, it was an obvious choice.

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Medium Density Fiberboard being installed

I took the picture above one day during a site visit when the MDO panels were getting installed. On the right, the MDO panel, and on the left you can see the underside of the metal decking from the floor above the patio ceiling.

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Exterior Ceiling - wood strips being installed

This picture shows the MDO panels after they have been installed and have been painted black. You might have noticed that we did not call out for a particular wood species for the 1×1 wood strips – that’s because we were going to take our cue from the landscape architect and match wood species. The final selection ended up being the ipê, a FSC certified cultivated Brazilian hardwood noted for its durability and resistance to rot and insects. It also happens to be gorgeous wood and we use it frequently whenever we use wood on the exterior of our projects.

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Exterior Ceiling - Ipe wood strips

Here is a look at the almost finished product – it stills needs to receive a final finish coat to help even out the tonal variations in the strips. We generally don’t add too strong of a color, and in this case, the final product will have a slight honey tint added to the finish coat. I would like to point something out that you might not notice unless you are me (because if you are, why aren’t you writing this post?), take another look at the spacing of the wood strips in relation to the wood rings around the recessed can lights … did you happen to notice that the ipê wood strips are tight to both sides of the wood rings and the spacing between the wood strips is still consistent? That isn’t on accident and was figured out early on before the MDO was installed.

That’s why we get to design and construction administration on these sorts of projects … we are fanatic about the end product.

Cheers – and thanks for reading.

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